In his new production, Robert Carsen places the action at the end of the Habsburg Empire, underscoring the opera’s subtext of class and conflict against a rich backdrop of gilt and red damask

• Teatro Regio di Torino
• Royal Opera House
• Renée Fleming
• Elina Garanca
• Günther Groissböck
• Patrick Stoffer
• Helene Schneiderman
• Billy Conahan
• Alan Oke
• Markus Brück